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GTA66 泄密传票：Discord 表示将在回应前评估其有效性与范围_我的网站

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    The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCGWhen the 38th Hundred Flowers Awards, one of China's three major film awards, concluded in Beijing on Tuesday, AI emerged as one of the event's new participants, alongside the stars on the red carpet and filmmakers receiving honors.
For the first time in the 64-year history of the awards, this year's edition introduced an AI-generated content (AIGC) recommendation unit, giving AI-generated films a new pathway into a major film award platform.
The move reflects a broader shift in the relationship between technology and cinema. 
Rather than replacing filmmakers, AI is increasingly seen as a creative tool that lowers production barriers, expands visual possibilities and allows more people to turn ideas into films, Zhang Peng, an associate professor at Nanjing Normal University, told the Global Times.
The AIGC recommendation unit, launched on June 30, attracted 2,038 entries from around the world in just over a month. After evaluation, six productions received the "Hundred Flowers AIGC Recommendation Honor," covering categories including animation, visual effects, technology, creativity, directing and short films.
For many young filmmakers, AI has opened a new path into the industry. Multiple award-winning creators said at a seminar on the sidelines of the Hundred Flowers Awards that AI tools such as Jimeng and the Seedance model helped them with visual development, shot design, dubbing and maintaining emotional continuity.
Zhang Bohang, a representative of the team behind Yi Meng (A Dream), which won the award for Best Animated Work, said at the seminar that animation had long been a dream for the team, but high production costs had previously made it difficult to bring that dream to life. "The emergence of AI has given us a way to make our dreams come true," he said.
Lu Qiwei, a representative of the creative team behind Yecha Crossing the River, which won the Best Creative Work award, said at the seminar that Seedance allows creators to input characters, scenes, visual styles and directorial ideas, then select and organize the generated material themselves.
However, filmmakers at the event also emphasized that AI does not replace human creativity. Director Liu Shuheng, whose work Out of Control received recognition, said AI had lowered the threshold for creating visual images while raising the expectations for creators' decisions. 
"AI makes it easier to create a picture, but it also makes people think more about why they choose to shoot it this way," Liu said at the seminar.
The shift is not limited to AI-powered filmmaking. The awards are also expanding recognition for emerging forms of storytelling.
The 38th Hundred Flowers Awards also introduced a new short-drama recognition section, marking the first time the awards had recognized short dramas. It marked the first time the awards had included short dramas in their recognition system, organizers said.
AI also featured prominently in the event's audience experience. Global Times reporters observed interactive installations that allowed audiences and celebrities to generate personalized digital keepsake photos, while AI was also used during the red-carpet livestream to provide real-time commentary, answer viewer questions and enhance visual backgrounds.
The Hundred Flowers Awards' embrace of AIGC comes as major Chinese film festivals increasingly explore AI's role in cinema. 
Since its launch in 2024, the Beijing International Film Festival's AIGC Film Section has been the first dedicated section at a major film festival worldwide to focus on AI-powered image-making. Meanwhile, the Shanghai International Film Festival this year has launched a new "AI Studio" section, aiming to create the first experimental platform dedicated to exploring AI-assisted collaboration in film production.
From competition entries to audience experiences, these developments suggest that AI is no longer just a behind-the-scenes production tool, said Zhang.
"AI is gradually moving beyond being a filmmaking tool and becoming part of the broader film festival ecosystem," Zhang noted. 
"From AI-generated films to short dramas, the move also shows how China's mainstream film platforms are embracing emerging formats and recognizing new forms of storytelling."
。    Discord 针对有关 Take-Two 追查 GTA66 泄密者身份的在线报道做出了回应，表示尚未正式收到传票，一旦收到，将在回应前对其进行严谨的评估。

二 | 上周五，美国纽约南区地方法院法官 Andrew L. Carter Jr. 批准了 Take-Two 的请求，要求传唤 Discord 提供 Rockstar 母公司认为与泄密事件有关的用户身份信息。Take-Two 对微软的传票也获得了批准。

三 | 虽然微软发表声明称乐于与 Take-Two 和 Rockstar 合作以帮助挖掘 GTA66 泄密者，但 Discord 在昨晚发布了不同的表态。Discord 营销总监 Ryan K. Rigney 在推文中表示：“我可以分享这一进展。

四 | Discord 尚未收到来自 Take-Two 的传票。当我们收到时，我们会在回应前评估其有效性和范围。”Take-Two 发出传票的理由是涉嫌违反《数字千年版权法》（DMCA）。

五 | 它希望获得与“CyberLeek”账户相关的资料和记录，据称该账户是 GTA66 泄密事件的幕后黑手。传票要求提供与多个 Discord 服务器成员相关的用户账户识别信息。文件中提到的其中一个 Discord 服务器是“discord.gg/darkviperau”，该服务器被描述为 DarkViperAU 编辑的服务器。DarkViperAU 是澳大利亚 GTA6 内容创作者 Matthew "Matt" Judge 的网名，他在 YouTube 上拥有 227 万订阅者，在 Twitch 上拥有近 90 万粉丝。Judge 否认有任何不当行为。

六 | 倡导言论自由和隐私的组织 Reclaim The Net 在推文中批评了针对 Discord 的传票。该组织表示：“版权法本应针对侵权行为，但在这里，它被用来搜寻身份信息。Take-Two 正在寻求 DMCA 传票，这可能会暴露那些没有泄密或上传 GTA6 VI 片段，但参与了讨论泄密内容的 Discord 服务器对话的用户。”在文章中，Reclaim The Net 继续说道：“其中一个涉事 Discord 服务器拥有超过 107,000 名成员，虽然目前尚不清楚 Take-Two 是否会针对每一个人，但请求中确实提到了自 6 月 1 日以来，作为三个指定服务器成员并参与过对话的‘所有用户账户的所有识别信息’。

七 | ”“在这种情况下，Take-Two Interactive 的一份文件清楚地表明，他们的目标不仅限于上传泄密内容的人，还针对了仅仅与这些所谓泄密者存在于同一个 Discord 服务器中的整个社区和频道。”“这现在变成了打着执行版权法的幌子来索取成员名单。虽然如果人们反击，这种行为可能会被制止，但实际上 DMCA 的流程中没有任何东西能以足够强力的方式惩戒这种行为。”“提交索赔既便宜又快捷，而合规成本则由平台承担。

八 | 曾几何时，公司至少还会试图维持一种表象，即他们的目标仅限于侵权行为，但如今，他们变得越来越大胆，现在甚至在打击任何恰好出现在附近的人。

九 | ”目前尚不清楚微软是否也已正式收到 Take-Two 的传票，尽管根据法庭文件，微软似乎已经启动了自己对 CyberLeek 账户的调查。与此同时，针对 Twitter / X 的传票尚未签署，但这可能仅仅是形式问题。与此同时，GTA66 的泄密仍在继续，人们对 CyberLeek 可能发布重大剧情剧透感到担忧。Rockstar 和 Take-Two 均未对此发表声明。GTA66 预计将于 2026 年 11 月 19 日在 PlayStation 5 和 Xbox Series X|S 上推出。Photo by Jakub Porzycki/NurPhoto via Getty Images.。

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Published on:06:36:05